How can tourism promote urban economy of Tokyo Essay

How can tourism promote urban economy of Tokyo - Essay Example The analysis indicated, as many authors have also pointed out, that tourism creates massive economic impact on the city, yet, it also accompanies with it the cost especially on environment. While the number of tourists increases, the environment and social costs starts getting bigger as it can be seen from research, for example an increase in the number of crime cases in the society as well as the degree of pollution brought by massive tourist visiting Tokyo are the glaring examples of such ill effects. It is true that the tourism development tended to focus on the economic developments without considering the environment and social costs due to the difficulty of measuring such impacts and the limited information of those environment and social consequences. Economic impact can be measured at the time when tourists arrive in the country, but the environment and social impact can not be measured at the same time when tourist visits. Environment and social consequences will appear in a different way but is difficult to link the cause and effect because of its time lug. The effect will be apparent only after a while. As a conclusion, if the increasing number of tourist accompany with the cost, it can be recommended that increasing the duration of stay rather than increasing the number of tourist is the best option for Tokyo. It leads to the assumption that the same economic impact can be brought on the city minimising the environment and social costs on Tokyo. However, tourism is one of business which asks for profit, therefore this recommendation may not appear realistic. Yet for sustainable tourism development, it can be considered a necessity to re-reorganise the city attractions and to link tourism promotional policies with regional planning.

Summary + analysis Article Example | Topics and Well Written Essays - 500 words

Summary + analysis - Article Example The unique technical features to look out for when identifying a film noir, according to the authors, include the unusual lighting where light and shadow keep opposing, tilted camera angles, and the scene oppositions that are off-center. Film noirs are also characterized by the inversion of customary values and moral ambivalence. The article further notes that, neo-noir, on the other hand, refers to films that followed the noir classic period. Neo-noir also contains noir sensibility and noir themes. They also have similar characteristics to noir such as disorientation, moral ambivalence, pessimism and alienation. Great examples of neo-noir have also been given by the author. These include movies such as Bonnie and Clyde, China Town, Taxi Driver and Body Heat. The author has also described space, time and subjectivity in neo-noir cinema. Different forms of neo-noir time have been described, including past, present and future neo-noir. The author concludes the article by describing the irreconcilable differences of neo-noir. In my personal analysis of the article, the author’s main aim of giving the examples of movies is to demystify the real meaning of film noir and neo-noir. Hollywood film noir is said to have been generated in the early 1940s and the late 1950s. This leaves a lot to be answered because the author has given many examples of movies that were produced as late as 1995 and 1997. Some of these movies should be referred to as neo-noir because they come after the classic noir period. Also, saying that neo-noir films are better at embodying the noir outlook is confusing because noir films had their own unique characteristics and identifying themes. I believe that there should be a clear distinction between noir films and neo-noir films. The investigation of philosophical underpinnings and themes of neo-noir films should also be applied to noir films so as to allow the use of movies to explore and explain traditional philosophical ideas of